Press



June 20, 2006

"For everyone who missed the chance to go a few rounds with Ernest Hemingway -- either in the ring or a bar -- or run with him and the bulls at Pamplona, the solo show ' Papa' gives a compelling sense of what it was like to be in such a daunting presence."
FULL REVIEW




January 27, 2006

"In this near-perfect fusion of actor and material, Sparks is unfailingly brilliant,
capturing the vulnerability under
the bluster of a genius in sad but valiant decline."
FULL REVIEW



“Sparks’s physical resemblance and beautifully honed performance (directed by Martha Demson) make the play eerily convincing…”



“Sparks emerges … at full power, pulling the audience into the show and really giving it the impression it is spending quality time with the author.”




March 16, 2005

"Sparks’ Hemingway is a brawling, profane and surprisingly likable Hemingway who guides us along an anecdotal safari of his life.
Sparks also bears an uncanny resemblance to the novelist, which doesn’t hurt."
FULL REVIEW




March 17, 2005

"Had John deGroot not written this engaging peek into a vodka-soaked afternoon in the life of Ernest Hemingway,
then actor Adrian Sparks would have had to commission this one-man show elsewhere. "

"Rarely does one witness a performer so completely inhabiting the skin of an historical figure....
the directorial hand [of Martha Demson] is so deftly employed....as to cause the audience members to forget we're watching a performance."

FULL REVIEW



"Papa, staged by Martha Demson, captures a deeply flawed man in late-life crisis. Bitter humor flashes along with the sound of intensifying thunder.
Adrian Sparks – who strikingly resembles photos of the older Hemingway – delivers a volcanic, Lear-like performance."



"Under the direction of Martha Demson, it's a fast-paced funny show..interpreted with mesmerizing vitality and humor by Adrian Sparks...
seeing Mr. Sparks at work is worth a trip all by itself."



"Much is owed to John deGroot’s script. . .Zig-zagging from one subject to another with the swiftness and grace of a matador,
audience is caught off guard with the catharsis, exhausted, but when the curtain falls, it’s left ready for more."

 
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